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Her photomontage “Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch in Germany” reflected her views of the political and social issues that arose during this …
In it, Höch takes aim at the hypocrisies and moral bankruptcy of the Weimar Republic through the radical techniques of disorientation, negation, and disjunction.
The chaotic arrangement is emblematic of the Dada movement’s anti-establishment and anti-war sentiments. Various human figures, mechanical elements, and text are interwoven throughout …
Dr. Beth Harris, Dr. Steven Zucker, and an anonymous professional provide a description, historical perspective, and analysis of Hannah Höch’s Cut with the Kitchen Knife Dada …
Höch’s large-scale photomontage Cut with the Kitchen Knife Through the Last Weimar Beer-Belly Cultural Epoch in Germany (1919)—a forceful commentary, particularly on the gender issues …
Dec 10, 2020 · One of Hannah Höch’s most famous works is a 1919 photomontage Cut with the Kitchen Knife Dada Through the Last Weimar Beer Belly Cultural Epoch of Weimar Germany. …
Oct 5, 2024 · Hannah Höch was a prominent figure in the Dada art movement, which emerged in response to the horrors and absurdities of World War I. “Cut with the Kitchen Knife Dada …
Hannah Höch, Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919, photomontage, 114 x 90 cm (Staatliche Museen, Berlin; please note, …
Schnitt mit dem Küchenmesser Dada durch die letzte Weimarer Bierbauchkulturepoche Deutschlands. Satire, Feminism, Typography, Politics in art, Dadaism, Montages (visual …
Mar 2, 2010 · For me this work is so important and beautiful because it begins to address rising concerns in Germany during the Weimar Republic but also because it is an early indication of …
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